Types of Obi: An introduction

This article will serve as an introduction to Obi, with following articles providing details around each type. The vast majority of kimono obi produced in Japan today comes from a district in Kyoto known as Nishijin. Nishijin has been the centre of the Japanese textile industry since the 15th century. Nishijin is renowned for its brocade, twill and gauze production. In the late 1800’s, jacquard loom was introduced to replace draw loom. The high quality brocade produced by the Nishijin artisans is known as ‘nishiki’, which literally means ‘beautiful colour combination’. Nishiki is characterised by the lavish use of gold and silver threads to make patterns of flowers, birds and traditional geometric designs. Another style of kimono obi produced in Nishijin is ‘tsuzure’ or tapestry. Both brocade and tapestry obis are the most ornate and expensive of all obis.

Kimono Obi 1: Tsuke Obi

Tsuke obi are more commonly known as pre-tied obi. They are fairly easy to put on, and do not require much skill or knowledge beyond how to tie your shoes. These kinds of obi are generally regarded as informal. When wearing them you still should consider the presence of wearing an obijime, obi-ita and obiage. Tsuke obi are commonly worn with informal kinds of traditional Japanese kimono such as yukata, and casual kimono such as edo komon.

Kimono Obi 2: Nagoya Obi

The most convenient kimono obi today is the nagoya obi. First produced in the city of Nagoya at the end of the Taisho era (1912-26), the Nagoya obi is lighter and simpler than the fukuro or maru obi. The nagoya obi is characterised by a portion of the obi being pre-folded and stitched in half. The narrow part wraps around the waist, while the wider part forms the bow of the obi tie. When worn, a nagoya obi is tied with a single fold, while a maru or a fukuro obi, being longer, is tied with a double fold. Most nagoya obi is less expensive a maru or fukuro obi. Nonetheless, its design can be stunning.

Kimono Obi 3: Hanhaba Obi

The hanhaba obi is thus termed, as it has half the width of other obis. The hanhaba obi is a casual obi for wear at home, under a haori (kimono coat), with children’s kimono or with summer yukata. The fabric and design of the hanhaba obi are simpler to reflect its use for daily wear. Some of the more ornate hanhaba obi is made from a former maru obi. Children’s hanhaba obi is often in very bright colours. It is often made with stencilling technique, rather than an elaborate embroidery or weaving.


Kimono Obi 4: Fukuro Obi

Fukuro and Maru obi are considered formal women's attire. These kinds of obi are most commonly paired with the likes of formal Japanese kimono such as kurotomesode and furisode. Various different obi types all have their own formalities. Fukuro and maru obi are typically made of a sumptuous and luxurious brocade. The presence of gold and silver in the obi designs further raise the formality. Most bridal obi are fukuro or maru obi.

Kimono Obi 5: Maru Obi

The maru obi is the most formal kimono obi, with both sides fully patterned along its length. The classic maru obi measures 33cm wide. Maru obi with narrower width can be custom made for a petite client. The maru obi is usually made of elaborately patterned brocade or tapestry, which is often richly decorated with gold threads. It was most popular during the Meiji and Taisho eras.

Obi_Kimono_Maru_Formal
 

Explore Obi…

Seigaiha (wave) Motif

Seigaiha (wave) Motif

The wave symbol or motif was originally used in China on ancient maps to depict the sea. In Japan its earliest appearance was on the clothing of a 6th century haniwa (funerary terracotta clay figure). It continued to be used as a symbol on clothing, particularly kimonos, for over a thousand years. Throughout Japan’s design history it has been used on kimonos, ceramic ware, lacquerware, then later in graphics design.

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Fall Kimono Motifs: Pine Tree

Fall Kimono Motifs: Pine Tree

The pine tree, or ‘matsu’ is a symbol often used on quite formal kimonos. The pine tree is an evergreen, and is capable of withstanding incredibly harsh environments. Due to this it’s thought to symbolise virtue, youth, strength and longevity. It’s an iconic Japanese New Year symbol, meaning rebirth, renewal and a hopefully bright future. Often the pine tree is thought of as a male pattern, and is worn mostly in Winter but not exclusively so. ‘

Matsu” means “waiting for the soul of a god to descend from Heaven”, I know, short word to convey such a long meaning. In ancient Shinto beliefs it was thought that the gods left the earth and ascended to Heaven on a pine tree. They are now thought to live on a volcanic mountain in giant old pine trees (presumably they very same ones that they ascended on). Due to the association of masculinity and strength, the pine motif was often used as a decoration on Samurai armour and clothing in the Edo period (1600-1867).

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Summer Kimono Motifs: Iris

Summer Kimono Motifs: Iris

Many varieties of Iris (“Kakitsubata”) were introduced to the West in the mid 1800s from Japan, where they had been a subject of poetry and painting from early times. The Iris blossoms were considered the flowers of purification and were believed to ward off plague and demons. The Iris received its most splendid and famous depiction in the folding screens painted by Ogata Korin in the early 1700s. As a design, the Iris motif followed the familiar course of first appearing as a purely decorative device on the clothing and carriages of the court nobility, and then later being adopted as a family crest in both court and samurai circles.

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Botan Motif

I posted a furisode today, with a brilliant orange-red background and a Botan 牡丹 motif.

Peonies were originally introduced to Japan from China during the Nara period, however it didn’t enter the poetic canon of flowers until the Edo period. Botan are also known as the king of flowers, and they are considered an appropriate floral offering for the Buddha. Classically, Botan is associated with summer (especially early summer) as that is when the flowers bloom naturally. However, during the Edo period, cultivators created different breeds of peonies that bloom in winter, spring, and autumn as well. The Botan featured on this furisode are probably from a tree peony, which has woody, and not herbaceous stems.

There is no species of tree peony native to Japan. Historians date the arrival of the tree peonies (known as Botan in Japanese) in Japan to the 8th century CE. Historians agree that it was Buddhist monks, whether Chinese or Japanese is a matter of dispute, that were responsible for transporting tree peonies to Japan. In this context, tree peonies were not seen as an ornamental garden plant, but rather as an important medicinal plant. Tree peonies were part of the great flow of goods and ideas from China to Japan.

Buddhist monk and scholar Kōbō-Daishi

Buddhist monk and scholar Kōbō-Daishi

Some accounts credit the great Buddhist monk and scholar Kōbō-Daishiwith initially introducing tree peonies to Japan. Over the next few hundred years, tree peonies were planted in temple and court gardens as ornamental plants, but it was not until the Edo period (1603 to 1868) that their cultivation became widespread. The advent of grafting as the main propagation technique during this period is largely responsible for the rapid spread of tree peony cultivation. The main center of cultivation and propagation became the cities of Tokyo and Kyoto as well as the western coastal prefectures ofNiigata and Shimane.

Peonies at Hyakken – this 1866 woodblock print by Utagawa Shigenobu depicts the tree peonies at a famous public garden in Tokyo

Peonies at Hyakken – this 1866 woodblock print by Utagawa Shigenobu depicts the tree peonies at a famous public garden in Tokyo

Botan and Kimono

Name: Botan (牡丹) Peony

Seasonal Association: Spring or Summer

When To Wear It: October-April

Auspicious: yes

History

Peonies were originally introduced to Japan from China during the Nara period, however it didn’t enter the poetic canon of flowers until the Edo period. Botan are also known as the king of flowers, and they are considered an appropriate floral offering for the Buddha. Classically, botan is associated with summer (especially early summer) as that is when the flowers bloom naturally. However, during the Edo period, cultivators created different breeds of peonies that bloom in winter, spring, and autumn as well.

Identification

Botan can often be confused with the tsubaki.  Botan blossoms are much larger and fuller than tsubaki blossoms, and they usually have more petals than tsubaki. These petals are often depicted in multiple layers and they have ragged edges while tsubaki petals are usually depicted as smooth and in a single layer. Finally, botan leaves are depicted with three distinct lobes while tsubaki leaves do not have lobes.

While these are general rules to distinguish between botan and tsubaki, highly stylized versions or unusual artistic interpretations can muddle this distinction.


Peony Themes from the Store

New items for April 8th: Red Silk Obi

Red Silk Obi with Chrysanthemum Motif

Posted today is a red silk Obi, with more pictures coming soon. This Obi is constructed of very soft luminous red silk, woven in a way that makes the entire Obi very soft and easy to work with. The background is made of delicately embroidered gold curling vine tendrils, and these are spaced evenly on the entire Obi. The chrysanthemum motif is embroidered in clusters with other star shaped of flowers and heart shaped leaves. The leaves are placed opposite each other on the vine, outlined in hand and prior gold thread, and filled with pale blue or silver embroidery. More elaborate leaves are textured with alternating embroidery patterns. The chrysanthemum motif is outlined in wispy gold thread, with directional embroidery on the petals in a pale blue combined with shimmering silver. The soft red silk it is a strong true red, and blue is a pale robins egg hue.

Condition Notes

The condition of this Obi Is excellent with no visible stains or discolorations. The fabric is strong, no obvious patterns of wear, and easy to fold and work with. The luminous red silk on the design side is soft to the touchAnd the embroidery is solid and strongly connected to the red silk.


 

NEW items posted today

I love posting new stuff!! NEW NEW NEW!