Obi

Types of Obi: An introduction

This article will serve as an introduction to Obi, with following articles providing details around each type. The vast majority of kimono obi produced in Japan today comes from a district in Kyoto known as Nishijin. Nishijin has been the centre of the Japanese textile industry since the 15th century. Nishijin is renowned for its brocade, twill and gauze production. In the late 1800’s, jacquard loom was introduced to replace draw loom. The high quality brocade produced by the Nishijin artisans is known as ‘nishiki’, which literally means ‘beautiful colour combination’. Nishiki is characterised by the lavish use of gold and silver threads to make patterns of flowers, birds and traditional geometric designs. Another style of kimono obi produced in Nishijin is ‘tsuzure’ or tapestry. Both brocade and tapestry obis are the most ornate and expensive of all obis.

Kimono Obi 1: Tsuke Obi

Tsuke obi are more commonly known as pre-tied obi. They are fairly easy to put on, and do not require much skill or knowledge beyond how to tie your shoes. These kinds of obi are generally regarded as informal. When wearing them you still should consider the presence of wearing an obijime, obi-ita and obiage. Tsuke obi are commonly worn with informal kinds of traditional Japanese kimono such as yukata, and casual kimono such as edo komon.

Kimono Obi 2: Nagoya Obi

The most convenient kimono obi today is the nagoya obi. First produced in the city of Nagoya at the end of the Taisho era (1912-26), the Nagoya obi is lighter and simpler than the fukuro or maru obi. The nagoya obi is characterised by a portion of the obi being pre-folded and stitched in half. The narrow part wraps around the waist, while the wider part forms the bow of the obi tie. When worn, a nagoya obi is tied with a single fold, while a maru or a fukuro obi, being longer, is tied with a double fold. Most nagoya obi is less expensive a maru or fukuro obi. Nonetheless, its design can be stunning.

Kimono Obi 3: Hanhaba Obi

The hanhaba obi is thus termed, as it has half the width of other obis. The hanhaba obi is a casual obi for wear at home, under a haori (kimono coat), with children’s kimono or with summer yukata. The fabric and design of the hanhaba obi are simpler to reflect its use for daily wear. Some of the more ornate hanhaba obi is made from a former maru obi. Children’s hanhaba obi is often in very bright colours. It is often made with stencilling technique, rather than an elaborate embroidery or weaving.


Kimono Obi 4: Fukuro Obi

Fukuro and Maru obi are considered formal women's attire. These kinds of obi are most commonly paired with the likes of formal Japanese kimono such as kurotomesode and furisode. Various different obi types all have their own formalities. Fukuro and maru obi are typically made of a sumptuous and luxurious brocade. The presence of gold and silver in the obi designs further raise the formality. Most bridal obi are fukuro or maru obi.

Kimono Obi 5: Maru Obi

The maru obi is the most formal kimono obi, with both sides fully patterned along its length. The classic maru obi measures 33cm wide. Maru obi with narrower width can be custom made for a petite client. The maru obi is usually made of elaborately patterned brocade or tapestry, which is often richly decorated with gold threads. It was most popular during the Meiji and Taisho eras.

Obi_Kimono_Maru_Formal
 

Explore Obi…

Seigaiha (wave) Motif

Seigaiha (wave) Motif

The wave symbol or motif was originally used in China on ancient maps to depict the sea. In Japan its earliest appearance was on the clothing of a 6th century haniwa (funerary terracotta clay figure). It continued to be used as a symbol on clothing, particularly kimonos, for over a thousand years. Throughout Japan’s design history it has been used on kimonos, ceramic ware, lacquerware, then later in graphics design.

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New items for April 8th: Red Silk Obi

Red Silk Obi with Chrysanthemum Motif

Posted today is a red silk Obi, with more pictures coming soon. This Obi is constructed of very soft luminous red silk, woven in a way that makes the entire Obi very soft and easy to work with. The background is made of delicately embroidered gold curling vine tendrils, and these are spaced evenly on the entire Obi. The chrysanthemum motif is embroidered in clusters with other star shaped of flowers and heart shaped leaves. The leaves are placed opposite each other on the vine, outlined in hand and prior gold thread, and filled with pale blue or silver embroidery. More elaborate leaves are textured with alternating embroidery patterns. The chrysanthemum motif is outlined in wispy gold thread, with directional embroidery on the petals in a pale blue combined with shimmering silver. The soft red silk it is a strong true red, and blue is a pale robins egg hue.

Condition Notes

The condition of this Obi Is excellent with no visible stains or discolorations. The fabric is strong, no obvious patterns of wear, and easy to fold and work with. The luminous red silk on the design side is soft to the touchAnd the embroidery is solid and strongly connected to the red silk.


 

Waves Obi

There are many types of obi, most for women: wide obi made of brocade and narrower, simpler obi for everyday wear. The fanciest and most colourful obi are for young unmarried women.[1][2] The contemporary women's obi is a very conspicuous accessory, sometimes even more so than the kimono robe itself. A fine formal obi might cost more than the rest of the entire outfit.

Obi are categorised by their design, formality, material, and use. Informal obi are narrower and shorter. This is a Maru obi (丸帯) and is the most formal obi. It is made from silk about 68 cm wide[20] and is folded around a double lining and sewn together. Maru obi were at their most popular during the Taishō and Meiji periods. Their bulk and weight makes maru obi difficult to handle and nowadays they are worn mostly by geishas, maikos and similar. Another use for maru obi is as a part of a bride's outfit.  A maru obi is about 30 centimetres (12 in) to 35 centimetres (14 in) wide and 360 centimetres (11.8 ft) to 450 centimetres (14.8 ft) long, fully patterned and embroidered with metal-coated yarn and foilwork.

丸帯 
Maru Obi

Period: Showa (昭和時代) period (1926-1989)

Country of Origin: Japan

Medium: Resist-dyed and plain-weave silk with embroidered details and foil work, combined with precious metal coated yarns

Dimensions: 12 in x 11.5 ft. (30 x 360cm)

Accession Number: 37.92.18

Red, Green, and Gold Obi

Red, Green, and Gold Obi with Geometric Designs

There are many types of obi, most for women: wide obi made of brocade and narrower, simpler obi for everyday wear. The fanciest and most colourful obi are for young unmarried women.[1][2] The contemporary women's obi is a very conspicuous accessory, sometimes even more so than the kimono robe itself. A fine formal obi might cost more than the rest of the entire outfit.

Obi are categorised by their design, formality, material, and use. Informal obi are narrower and shorter. This is a Maru obi (丸帯) and is the most formal obi. It is made from silk about 68 cm wide[20] and is folded around a double lining and sewn together. Maru obi were at their most popular during the Taishō and Meiji periods. Their bulk and weight makes maru obi difficult to handle and nowadays they are worn mostly by geishas, maikos and similar. Another use for maru obi is as a part of a bride's outfit.  A maru obi is about 30 centimetres (12 in) to 35 centimetres (14 in) wide and 360 centimetres (11.8 ft) to 450 centimetres (14.8 ft) long, fully patterned and embroidered with metal-coated yarn and foilwork.

P1120479.jpg

丸帯 
Maru Obi

Period: Showa (昭和時代) period (1926-1989)

Country of Origin: Japan

Medium: Resist-dyed and plain-weave silk with embroidered details and foil work, combined with precious metal coated yarns

Dimensions: 12 in x 11.5 ft. (30 x 360cm)

Accession Number: 37.92.18